Duruflé’s Requiem

November 2, 2019

Schola Cantorum and Uppsala Cathedral Choir, both led by conductor Milke Falck, performed Duruflé’s famous Requiem. His equally famous Quatre Motets sur des Thèmes Grégoriens was also performed by the choirs. Members of the Royal Swedish Orchestra, the organist Andrew Canning, and the two soloists Ivonne Fuchs and Anders Larsson were all partaking in the concert as well. In addition to the Requiem, Daniel-Lesur’s In Paradisum and the prelude of Duruflé’s Suite Pour Orgue was played.

Purcell Concert

March 24, 2019

Schola Cantorum collaborated with The Baroque Conspiracy, an ensemble consisting of singers and instrumentalists, and performed some of Baroque composer Henry Purcell’s most beloved classics. Rejoice in the Lord alway (Z 49), Magnificat and Nunc Dimittis in G minor (Z 231) and O sing unto the Lord (Z 44) was performed together, whilst the ensemble performed Chaconne in G minor (Z 730), Fantasia upon One Note à 5 (Z 745), In Nomine à 6 (Z 746) and Sound the Trumpet (Z 323) on their own.

Haydn Concert

November 11, 2018

Schola Cantorum performed two beautiful Haydn pieces, Salve Regina in E Major and Missa Brevis S:t Joannis de Deo. Together in the cathedral were also soprano Ida Zachrisson, organist Oscar Rutberg and Ensemble Fenix. Rutberg and Ensemble Fenix also performed Haydn’s Concertino in C Major. Milke Falck conducted all three pieces.

Mozart’s Requiem

November 19, 2017

The cathedral was crowded as Schola Cantorum, Uppsala Cathedral Choir and Svenska Barockorkestern performed Mozart’s Requiem. The eminent soloists were Karin Dahlberg (soprano), Ivonne Fuchs (alto), Mark Dobell (tenor) and John Erik Eleby (bass). Conductor was none other than our very own Milke Falck.

Vivaldi’s Gloria

May 22, 2016

Together with Svenska Barockorkestern Schola Cantorum performed Antonio Vivaldi’s joyful Gloria in D major as well as the shorter Laetatus sum and Laudate Dominum. All was led by conductor Milke Falck. Soloists: Eva Ericsson Berglund and Elin Lannemyr

Brahms: Ein deutsches Requiem

October 31, 2015

Brahms’ much beloved requiem was performed by Schola Cantorum and Uppsala Cathedral Choir, accompanied by the Royal Swedish Orchestra. Milke Falck conducted and soloists were Karin Dahlberg (soprano) and Anton Eriksson (baritone).

Verdi’s Requiem

November 1, 2014

Schola Cantorum took part in the production of Verdi’s dramatic and fateful requiem. Also taking part were Collegium Cantorum, Uppsala Cathedral Choir and Stefanoskören, accompanied by Bergslagens kammarsymfoniker and led by conductor Ulric Andersson. Soloists: Karin Ingebäck (soprano), Susanne Resmark (mezzo-soprano), Carl Unander-Scharin (tenor) and Henning von Schulman (bass).

Duruflé: Requiem

November 2, 2013

Schola Cantorum and Uppsala Cathedral Choir performed Maurice Duruflé’s Requiem op.9, together with the soloists Ivonne Fuchs (mezzo-soprano) and Anders Larsson (baritone), as well as the Royal Swedish Orchestra and Andrew Canning on organ. Conducting were as always our very own Milke Falck.

Duruflé’s Requiem was performed together with his four Gregorian-themed motets for choir (Quatre motets sur des thèmes grégoriens) and Prelude from Suite for organ op. 5.

Mozart’s Requiem

November 5, 2011

During mid-autumn 2011 the choir participated in a production of W.A. Mozart’s Requiem, as did Uppsala Cathedral Choir, Svenska Barockorkestern and the experienced soloists Karin Dahlberg (formerly Roman), Ivonne Fuchs, Rickard Söderberg and Markus Schwartz. Milke Falck brought everything together perfectly as the conductor.

Baroque Concert

Spring 2011

Himmelskönig, sei willkommen (BWV 182) by Bach and Vivaldi’s Gloria were performed together as part of Schola Cantorum’s Baroque concert. The concert was performed in collaboration with experienced solo singers with connections to the cathedral choirs: Eva Ericsson Berglund (soprano), Carolina Bengtsdotter-Ljung (alto), Alexander Vesterberg (tenor) and Patrik Sandin (bass). All was accompanied by Svenska Barockorkestern, which added historical accuracy to the event by using Baroque instruments.